Reinventing Shakespeare is not
easy. With so many new, developing theatre companies, creating something
original which will capture an audience night after night is getting more and
more difficult. But, amazingly, Propeller manages to succeed at this task time
and time again. Comedy of Errors was not an exception to this, providing a
modern twist to the classic language.
Set in a Spanish holiday location
in the 80’s, two sets of twins cross paths unknowingly and get mixed up in the
confusion of the day’s events, where they are constantly mistaken for each
other. Their actions and confusion also affect their relationships, while other
comedy characters are introduced to immerse the audience. Although I am not usually a fan of the use of
slapstick comedy, done well it really helps gives the play a new direction and
has the audience in hysterics within minutes.
During the interval the
performers come out and busk to the audience members, all of who have grabbed
an ice cream and begin to enjoy the medley of songs in store for them. Raising
money for charity through the performance is a touching, brilliant idea and
there was not a single person not enjoying the electrifying performance which adds to the immersive experience of the play.
Being aesthetically pleasing is
often an important aspect in theatre now and the vibrant set, rows of
mutli-coloured lights and startling costumes did not disappoint. The sombreros,
sunglasses and sun are cleverly designed Michael Pavelka who has done a
fantastic job on both the set and costumes which created the atmosphere needed
to lift a frantic, funny production.
However, perhaps the most
inventive and interesting technique Propeller put into practice is the use of
onstage music. Providing short musical interludes between scenes, adding to the
setting and the comedy, as well as sound effects for different
movements just gives the show that extra spark. The timing is impeccable since
each movement has a matching sound effect highlighting a hilarious, imaginative
action. For Comedy of Errors the instruments used, guitars etc., and the
stylised ensemble immerse the audience in the Spanish holiday feeling.
Productions like these often have
one or two actors that clearly stand out above all others. However, Propeller
work together and each performance is just as good as the next, meaning that
the whole show is oozing with energy and talent. Edward Hall, the director,
creates a beautiful concept and clearly the ideas for more shows keep on
rolling in.
So you’re not a Shakespeare fan?
So what? Since England are losing the World Cup, grab a ticket and go watch a
different set of people prance around in football shirts.
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